Toutes peintures ā l'huile d'Sir William Beechey
Choice ID Image  Painting (From A to Z)       Details 
96778 Charles Brudenell Bruce  Charles Brudenell Bruce   oil on canvas 74.5 x 62 cm 19th century cyf
41 Horatio Viscount Nelson  Horatio Viscount Nelson   1801 National Portrait Gallery, London
85497 John Wodehouse MP Norfolk  John Wodehouse MP Norfolk   oil on canvas 91 x 71 cm 1785
89605 John Wodehouse MP Norfolk  John Wodehouse MP Norfolk   oil on canvas 91 x 71 cm cyf
83623 Portrait of a Young Girl  Portrait of a Young Girl   19th century Medium Oil on canvas Dimensions 23 1/4 x 20 in. (59 x 51 cm). cyf
82913 Portrait of Elizabeth of the United Kingdom  Portrait of Elizabeth of the United Kingdom   1797(1797) Medium Oil on canvas Dimensions 92.7 x 68.6 cm (36.5 x 27 in) cyf
82712 Portrait of John Carr  Portrait of John Carr   1791(1791) Medium Oil on canvas Dimensions 127 x 100.5 cm (50 x 39.6 in) cyf
83519 Portrait of Mary Constance  Portrait of Mary Constance   1782-1787 Medium Oil on panel cyf
81713 Princess Augusta  Princess Augusta   ca. 1802(1802) Medium Oil on canvas cyf
44597 Sarah Siddons with the Emblems of Tragedy  Sarah Siddons with the Emblems of Tragedy   mk173 1793 Oil on canvas 245.1x153.7cm
Sir William Beechey
1753-1839 British English painter. He was trained as a lawyer before entering the Royal Academy Schools, London, in 1772. He is thought to have studied under Johan Zoffany, and his earliest surviving portraits are small-scale full-lengths and conversation pieces in Zoffanys manner (e.g. The Custance Conversation Piece, c. 1786; priv. col.). Beechey first exhibited at the Royal Academy in 1776. In 1782 he moved to Norwich, where he gained several commissions, but he was back in London by 1787. In 1789 he exhibited a portrait of John Douglas, Bishop of Carlisle (London, Lambeth Pal.) that is remarkable for its facility of handling. Beechey would occasionally paint similarly inspired works, but his career is marked by a succession of unflamboyant but competent portraits in the tradition of Joshua Reynolds.



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